Remember that infamous Russian “dossier,” the unverified document that BuzzFeed unceremoniously dumped into the public square earlier this year? You might recall it as making a series of incredibly salacious and completely unproven accusations against the sitting president of the United States. Well, it turns out that it was a piece of partisan opposition research, bought and paid for by the Hillary Clinton campaign and the Democratic National Committee, both of which then denied having anything to do with it after the fact ...
Remember that infamous Russian “dossier,” the unverified document that BuzzFeed unceremoniously dumped into the public square earlier this year? You might recall it as making a series of incredibly salacious and completely unproven accusations against the sitting president of the United States. Well, it turns out that it...
Editor’s note: Pascal-Emmanuel Gobry, a conservative writer and fellow at the Ethics and Public Policy Center, is writing a series of columns on uncomfortable truths about health care in...
In September of 1980, my wife and I attended a farm rally for Ronald Reagan. Our scrapbook from that fall is full of snapshots of our brush with history, faded Polaroids of the future president...
In the run-up to Theresa May’s speech on Brexit in Florence, there was one of those minor kerfuffles that tell us in passing some odd little truth about the modern world and how we are governed....
William F. Buckley, the founder of National Review (where I work), once confessed in private, “I wish to hell I could attack them without pleasing people I can’t stand to please.”
By “them”...
A math-education professor at the University of Illinois wrote about some of the more racist aspects of math in a new anthology for teachers, arguing that “mathematics itself operates as...
Editor’s Note: The below piece is an expansion of Mr. Nordlinger’s piece in the current issue of National Review.
The world has been nervous about nuclear bombs ever since August 1945, when...
"Absorbing and detailed. . . . Bunker’s narrative is human and even-handed; and from the Boston harbourside to the salons of London, a complex and epic tale is told with colour and enthusiasm.” " - The Sunday Telegraph (London)
